Carpe Noctem Walking Tour

The streets after dark are places of adventure and wonder. Let’s make them ours!

Carpe Noctem is a night walking tour created by artist Janet Carter. Presented by DADAA for the No Fixed Address project, this tour through Fremantle’s East End will address our fears of walking at night and interrogate who has the right to occupy urban spaces after dark.

Saturday 30 November and Monday 9 December, 8 – 10pm

Meeting Point: DADAA Fremantle Gallery

FREE | Bookings essential | TICKETS

ACCESS | This is a walking tour which will require participants to walk for approximately 1 hour. Please wear comfortable shoes. If you have any accessibility requirements or questions please contact DADAAA,

Janet Carter’s practice embraces a range of practices and forms, including drawing, sculpture, performance, new media and installations. Since her involvement the Proximity Festival in 2012, she has been focused on creating collaborative, non-gallery based, transient participatory works that are concerned with building resilience in an increasingly precarious world. Her current work is concerned with unravelling conceptions around gender, sexuality, desire and embodied identity, with regard to how they impact vulnerable minorities.

Photo: Cam Campbell.

Artist talk: George Khut, Contemplative Interactions

Join us to hear artist George Khut discuss his current show at DADAA’s Fremantle Gallery, Contemplative Interactions, as well as his broader practice.

George Khut is a new media artist and interaction-designer working across the fields of electronic art and arts-in-health. He lectures in art and interaction design at UNSW Art & Design (University of New South Wales, Faculty of Art & Design).

His practice focusses on intimate body-focused artwork experiences which use immersive electronic soundscapes and visuals to respond to moment-to-moment changes in participating audiences’ nervous systems.

Presented as an interactive live laboratory, Contemplative Interactions invites us to reflect on the creative and transformative potential of artworks that trace the quality of our attention, breathing and emotional orientation.

If you have accessibility requirements, please email