Harvey Arnephie Cook, strawberry sprite, 2025, glazed ceramic, 6.5 x 10 x 7.3cm

The Australian Ceramics Triennial | Beyond the Wheel

25 September — 8 October 2025

DADAA Gallery

Monday – Friday | 10am – 4pm

Saturday | 10am – 2pm

As part of Wedge 2025: The Australian Ceramics Triennial, DADAA Gallery presents new work by Harvey Arnephie-Cook and Oliver-Max Taylor from DADAA’s Midland ceramics studio.

Through hand-building in clay, both artists explore form, texture, and storytelling in ways that highlight their individuality and imagination. Their practices reflect the creative energy of the Midland studio, a supportive and collaborative space where artists with disability are encouraged to refine skills, experiment, and grow as contemporary practitioners.

Alongside the exhibition, Harvey Arnephie-Cook and Oliver-Max Taylor will join the panel discussion Magnetic Imaginations: Contemporary Ceramics in Supported Studios, to talk about the significance of supported studio models in shaping the future of Australian ceramics.

about the artists

Harvey Arnephie-Cook is a Perth based emerging artist. Harvey is a self-taught artist working primarily with ceramic and digital art mediums. Harvey has been drawing since childhood, developing a deep passion for storytelling through visual art. His work draws inspiration from a range of influences, including anime, mythology, folklore, and comic books, resulting in a distinctive blend of dynamic visuals and rich narratives.

Oliver-Max Taylor is a mixed media artist with a focus on ceramic works using hand-building techniques. His works centre discussions of gender, sexual expression, and disability; drawing upon his own experiences alongside investigation of societal norms and values. Through humour and a childlike whimsy, Taylor seeks to delight as much as he seeks to confront, balancing serious conversations with a sense of joy and curiosity.

 

More information about Wedge 2025

 


 


 

DADAA Gallery, Fremantle

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DADAA respectfully acknowledges the Whadjuk and Yued people of the Noongar nation and the Southern Yamatji Peoples, the traditional owners of the lands upon which DADAA operates. We recognise their continuing connection to land, waters, and culture, and pay our respects to their Elders past and present.